Editorial
On Paris, and why curation matters here.
Paris consistently ranks among the world's top three cities for international congresses, corporate events and luxury brand activations. The International Congress and Convention Association places it ahead of London, Berlin, Madrid and New York for total volume of major business events. The figures are well-known to anyone in the industry; what is less obvious to international planners is what those figures conceal.
Behind the headline lies a fragmented market of more than a thousand venues — Belle Époque pavilions on the Champs-Élysées gardens, hôtels particuliers in the Marais, Haussmannian ballrooms in palace hotels, Tadao Ando rotundas under contemporary art collections, théâtres Art Déco in the 9th, péniches moored along the Seine, châteaux thirty minutes from Charles de Gaulle, museum salons opened only after closing hours, lofts in former industrial buildings of the 11th and 20th. Every category has its own rules, its own lead times, its own list of approved caterers, its own commission de sécurité paperwork.
In Paris, with several hundred plausible options, the value of a trusted editorial selection compounds.
This is the reason a corporate planner shortlisting a venue in Paris from London, Singapore or San Francisco often spends three to five working days simply qualifying options — only to discover at site-visit stage that the rooftop is unavailable in winter, that the museum requires the in-house caterer at €240 per head, that the palace ballroom can host 350 cocktail but only 180 seated with a stage, or that the iconic theatre's load-in window is incompatible with the production timeline. None of this appears in a brochure. None of it is searchable.
It is also the reason Paris is where editorial curation creates the most value. In cities with a smaller venue base — say, ten or twenty viable spaces for a 200-person corporate event — sourcing is a manageable comparison exercise. In Paris, with several hundred plausible options, the value of a trusted editorial selection compounds. The question shifts from "what venues are available?" (the answer is overwhelming) to "which three or four venues are genuinely right for this brief?" — a question only experienced curators can answer in less than a working day.
The B2BVENUES selection
Our selection covers the categories international planners actually need: palace hotels in the 1st, 8th and 16th arrondissements (Le Meurice, Plaza Athénée, Four Seasons George V, Le Bristol, The Peninsula); conference and convention centres from the Palais des Congrès to the Carrousel du Louvre and the Cité Internationale Universitaire; unique heritage venues ranging from the Musée d'Orsay to the Bourse de Commerce and the Hôtel de Soubise; rooftops and outdoor terraces from the Hôtel de Crillon to The Peninsula's L'Oiseau Blanc and Le Perchoir; private dining rooms in Michelin-starred restaurants from Taillevent to Pierre Gagnaire; caterers and traiteurs from Lenôtre and Potel et Chabot to younger studios building reputations on sustainable, plant-forward menus; and event service providers across audiovisual production, scenography, photography, livestream and entertainment.
Beyond the catalogue of names, what we contribute is the editorial layer: which palace ballroom now offers the best hybrid broadcast capability after its 2025 refit; which Marais hôtel particulier accepts amplified sound past 22:30; which caterer's Bilan Carbone reporting passes scrutiny by sustainability-driven corporate clients; which AV partner is the right call when the production requires a pillar-free stage and a rigging point map drawn the same week. None of this is in the brochures, and most of it changes year to year.
How we work, in one paragraph
You share a brief — by email, through the form on our request page, or in a thirty-minute call. Within one working day, you receive a curated shortlist of three to five venues and partners, with the editorial context that lets you decide quickly: capacity attestations, catering policies, technical readiness, lead times, indicative pricing bands, and the names of the people you should speak to first. We make the introductions; you remain in control of the conversation. There is no fee for event planners — our work is funded by the small group of selected partners we have vetted on your behalf.